few days ago I noticed on Facebook, the application of "Social Living" album Five That shaped me "(for non-anglophone five albums that I have" form "). I would not hesitate to include among their five "Affinity-differences between Comrade Togliatti and Us - the attainment of age", the first LP of CCCP. Why is an album that really formed me in some way, or at least has formed my musical tastes to come: the sound between punk el industrial tempered by the lyrics straight, ironic, angry, educated and popular members of Ferretti and I have certainly preparation of the heavier sound to come. In addition this album has opened my eyes to a certain aesthetic (and ethical?) punk, which so far eluded me. Communism (or rather "Soviet") of the pioneers of punk Emilia (and paranoid) has done more than love and hate irony of true commitment. The songs of the sleepy province of Emilia, the communist government, almost bourgeois, are maimed and raped by Ferretti more to the taste of failure for true commitment to a left-wing extremism. I think that somehow we were to use the CCCP hammer and sickle as the punks used the swastika in 77 Londoners: how to break the very rules of the society in which they lived. Ferretti adopting the Soviet aesthetics goes a step deeper, pointing out the hypocrisy of the system Emilia in which he lived: you want communism, here it is in all its explosive power revolutionary. The rest is history and private life (not unlike a lot of contempt for the current John Lindo, in fact I find it almost more punk then, but it should be!).
This whole discussion is linked to the fact that tomorrow morning I'm leaving for Berlin, a city where the duo-Ferretti Zamboni was musically, thanks to listening to the aforementioned Einsturezende. Two songs are, at least for me, inextricably linked to the relationship CCCP-Berlin, and here there the place.
PS: The second video is loud ugly, forget the pictures, enjoy a Ferretti dazed as ever!
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